Editorial Standards & Corrections

Editorial Standards & Corrections

What we are

What we are

Made & Moved is a documentary series about supply chains — narrated storytelling built on public records. We follow journalists’ rules: we investigate; we do not advise. Nothing here is investment, legal, or career advice.

Sourcing

Sourcing

  • Every factual claim in every episode traces to a named source — regulator documents, court filings, company statements, reputable reporting, or first-hand accounts.

  • Sources appear on screen where the claim is made, and the complete source list for each episode is archived (with archive.org captures) and available to our email subscribers.

  • We attribute causes only when documented findings support them — a regulator’s letter, a filing, a company’s own words. We do not infer intent.

  • We name companies, and public-facing executives where the record does. We do not name private individuals.

AI use, disclosed

AI use, disclosed

  • Research and production are AI-assisted under human editorial control: a human writes the final script, makes every editorial judgment, and cuts every episode.

  • The narration voice is a professional voice clone of a real human voice we own, reading scripts a human finalized.

  • Generated imagery is schematic and illustrative only — maps, diagrams, labeled reconstructions. We never present generated imagery as real footage of real events, and we enable YouTube’s AI-content disclosure wherever it applies.

  • We never use unlicensed news footage. Must-have real footage is licensed editorially.

Corrections

Corrections

  • If we get a fact wrong, we correct it visibly: a pinned comment and a dated note in the episode description.

  • Material errors that change a story’s meaning get an on-screen correction in a following episode.

  • We do not silently edit or delete published episodes.

  • Spotted an error? hello@madeandmoved.com — include the episode and timestamp. We read everything.

Music & footage rights

Music & footage rights

All music comes from licensed or cleared libraries. Third-party footage is licensed; editorial must-haves are purchased per clip (e.g. Reuters via Pond5).